Vivaldi gloria4/26/2023 ![]() The Gloria itself is a joyful hymn of praise and worship divided into 12 relatively brief movements, ranging from festive brilliance to profound sadness. Those young men in Venice for a stop on the Grand Tour flocked to Vivaldi’s church to hear these mysterious women seen only in silhouette, but sounding like angels. To keep them sheltered from the corruption and decadence of the visiting public, the girls sang from the upper galleries of the church, hidden behind the patterened grills, which only added to the theatrical sense of drama matched by Vivaldi’s music. Vivaldi’s all-women orchestras and choirs were legendary sensations, but the girls needed to be protected from noblemen and travellers to the city. But Venetians and their visitors still wanted to be entertained. Despite a licentious reputation, the opera houses were required to close for all important religious festivals and Saint’s Days. Venice in the early 18th century was the pleasure centre of Europe, and a visit to the opera was part of the court and social life of the city. The Gloria in D is probably one of his best known sacred works, but it also reflects Vivaldi’s other skill as an opera composer, which he regarded as a distraction from his day job at the Pieta. Despite being ordained as a priest in 1703, Vivaldi was appointed the violin master at the Ospedale and his association with the music school lasted until 1740, by which time his reputation in Europe had been secured thanks largely to the wonderful performances of the girls he instructed. These ‘orphans’ were usually the illegitimate daughters of the city’s wealthy noblemen and their numerous mistresses, which explains the generous endowments that meant the girls were well cared for and given the best musical tuition available. Vivaldi is, after all, a very good composer.I wanted to imagine myself in the place where some of Vivaldi’s most glorious music was performed by the young women who were taken in as orphans by the Ospedale, one of four important Venetian orphanages which placed a special emphasis on teaching music. A nice feeling, nice sentiments, this is jubilant music. Every reprise, every «refresher» is absolutely fascinating. We have been performing this on tour for four years, and there is no habit, no routine. In this version, there is fantastic work on the women’s voices. ![]() And the solos sung in chapel by the six altos together, sounds completely different. In the original version, ‘with the tenor lines sung by the sopranos, the melodic line is completely different. It is this version, with tenors and basses, that is well known. Being a girls’ orphanage, the original version of the Gloria was written for two women’s choirs and two small orchestras, forces that could take their place in the organ loft of the establishment’s church.Īfterwards, to make some money, he created a version for four mixed voices,’ relates Hervé Niquet. The Ospedale della Pietà is the orphanage where Vivaldi was hired in 1703 as a violin teacher then later, maestro de’ concerti. It’s the original version, the one that Vivaldi had written for the Ospedale in Venice.’ ‘We propose a version that is never heard. ![]() ‘We have lots of things to discover in these works that we thought we knew,’ says an enthusiastic Hervé Niquet.
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